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d’India - Lamenti & Sospiri: Arias, Laments, Duets | Ricercar RIC429

d’India - Lamenti & Sospiri: Arias, Laments, Duets

£25.43

In stock - available for despatch within 1 working day

Label: Ricercar

Cat No: RIC429

Barcode: 5400439004290

Format: CD

Number of Discs: 2

Release Date: 11th June 2021

Contents

Works

d'India, Sigismondo

Io viddi in terra angelici costumi
Lamentatione d'Olympia
Le musiche, Book 1
» La tra 'l sangue e le morti
» Un di soletto
Le musiche, Book 2
» Ardo, lassa, o non ardo?
» Chi nudrisce tua speme
» Su, su, prendi la cetra
Le musiche, Book 3
» Hor che 'l ciel e la terra
Le musiche, Book 4
» Mentre che'l cor
» Pallidetta qual viola
» Sprezzami, bionda, e fuggimi
Le musiche, Book 5
» Infelice Didone
» Torna il sereno zefiro
Le musiche da cantar
» Dialogo della rosa
Odi quel rosignuolo
Piangono al pianger mio
Terzo Libro de Madrigali
» Merce! grido piangendo
Voi ch'ascoltate in rime sparse

Trabaci, Giovanni Maria

Canzona cromatica

Artists

Mariana Flores (soprano)
Julie Roset (soprano)
Cappella Mediterranea

Conductor

Leonardo Garcia Alarcon

Works

d'India, Sigismondo

Io viddi in terra angelici costumi
Lamentatione d'Olympia
Le musiche, Book 1
» La tra 'l sangue e le morti
» Un di soletto
Le musiche, Book 2
» Ardo, lassa, o non ardo?
» Chi nudrisce tua speme
» Su, su, prendi la cetra
Le musiche, Book 3
» Hor che 'l ciel e la terra
Le musiche, Book 4
» Mentre che'l cor
» Pallidetta qual viola
» Sprezzami, bionda, e fuggimi
Le musiche, Book 5
» Infelice Didone
» Torna il sereno zefiro
Le musiche da cantar
» Dialogo della rosa
Odi quel rosignuolo
Piangono al pianger mio
Terzo Libro de Madrigali
» Merce! grido piangendo
Voi ch'ascoltate in rime sparse

Trabaci, Giovanni Maria

Canzona cromatica

Artists

Mariana Flores (soprano)
Julie Roset (soprano)
Cappella Mediterranea

Conductor

Leonardo Garcia Alarcon

About

Cappella Mediterranea and Leonardo García Alarcón bring focus to lesser-known composer Sigismondo d'India, Monteverdi's musical “twin”.

‘Sigismondo d’India has a “twin”, a “mirror” in music: Claudio Monteverdi. Both men developed, in parallel, a style that radically changed the history of music. A style inherited from composers such as Luca Marenzio and Carlo Gesualdo, but which d’India and Monteverdi were to transform through the creation of new techniques, theorised by the latter in 1638 under the name seconda pratica, which consisted in breaking the rules of counterpoint in order to express heightened emotion. This is why I like to call Sigismondo d’India’s style “mannerist” – not in the sense of “mannered” as it is sometimes misinterpreted – so as to underline the crucial role played by composers like d’India and Monteverdi in effecting the transition between Renaissance and Baroque. Like the disegno artists of that period, who exaggerated the gesture and form of the Renaissance figure, like Michelangelo Buonarroti in his Sistine Chapel, Sigismondo d’India brings us back to a language, the fruit of the sophisticated reworking of a heritage.’ – L. García Alarcón

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