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Fux - Arias for the Emperor: Operas & Oratorios for the Viennese Court | Pan Classics PC10425

Fux - Arias for the Emperor: Operas & Oratorios for the Viennese Court

£14.51

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Label: Pan Classics

Cat No: PC10425

Barcode: 7619990104259

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 7th May 2021

Contents

Works

Fux, Johann Joseph

Dafne in lauro, K308
» Il voler vincer Amore
» Se dunque alla virtute
Giunone placata, K316
» Io non potea soffrir
» Sinfonia
Il Fonte della Salute, K293
» Vedi, che il Redentor
Il Testamento di nostro Signor Gesu Cristo sul Calvario, K299
» Si tempra il mio martir
Julo Ascanio, re d'Alba, K304
» Si, vendetta io voglio far
La Deposizione dalla Croce di Gesu Cristo Salvator nostro, K300
» Caro Maestro
» Caro mio Dio
La decima fatica d'Ercole, K307
» Qual il sol in prato
Orfeo ed Euridice, K309
» Rondinella, che tal volta

Artists

Maria Ladurner (soprano)
Biber Consort

Works

Fux, Johann Joseph

Dafne in lauro, K308
» Il voler vincer Amore
» Se dunque alla virtute
Giunone placata, K316
» Io non potea soffrir
» Sinfonia
Il Fonte della Salute, K293
» Vedi, che il Redentor
Il Testamento di nostro Signor Gesu Cristo sul Calvario, K299
» Si tempra il mio martir
Julo Ascanio, re d'Alba, K304
» Si, vendetta io voglio far
La Deposizione dalla Croce di Gesu Cristo Salvator nostro, K300
» Caro Maestro
» Caro mio Dio
La decima fatica d'Ercole, K307
» Qual il sol in prato
Orfeo ed Euridice, K309
» Rondinella, che tal volta

Artists

Maria Ladurner (soprano)
Biber Consort

About

Johann Joseph Fux (c.1660-1741), composer and Kapellmeister at the Viennese Imperial Court, is primarily known for his church and instrumental works; it has been almost completely forgotten that during his lifetime he was also a highly regarded composer for the stage.

His operas and oratorios have been undeservedly relegated to the shadows. This present recording with the young Austrian soprano Maria Ladurner is therefore more than welcome, giving a somewhat deeper insight into the composer’s stage works.

It includes a total of nine arias for soprano, some with their accompanying recitatives, taken from operas and oratorios written between 1708 and 1728, a time when music at the Viennese Imperial Court was at its absolute peak.

The focus on soprano arias also intends to draw attention to the singers employed at the Viennese Imperial Court - Maria Landini-Conti, Regina Schoonians, Kunigunda Sutter, Faustina Bordoni and Ursula Theresia Holzhauser, some of the outstanding artists of their time.

Reviews

Maria Ladurner gives sensitive and pleasing accounts of the arias. The voice is fresh and youthful-sounding, and it must frequently come close to the sweetness do admired in the 18th century.
Opera

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