The Art of Hans Knappertsbusch with the Berliner Philharmoniker | Scribendum SC827

The Art of Hans Knappertsbusch with the Berliner Philharmoniker

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Label: Scribendum

Cat No: SC827

Format: CD

Number of Discs: 13

Release Date: 9th April 2021

Contents

Works

Beethoven, Ludwig van

Coriolan Overture, op.62
Symphony no.3 in E flat major, op.55 'Eroica'
Symphony no.5 in C minor, op.67
Symphony no.8 in F major, op.93
Symphony no.9 in D minor, op.125 'Choral' (excerpt)

Brahms, Johannes

Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90

Bruckner, Anton

Symphony no.4 in in E flat major 'Romantic'
Symphony no.8 in C minor
Symphony no.9 in D minor

Handel, George Frideric

Concerti grossi (12), op.6
» no.5 in D major, HWV323

Haydn, Franz Joseph

Symphony no.88 in G major, Hob.1:88
Symphony no.94 in G major, Hob.I:94 'The Surprise'

Komzak, Karl II

Bad'ner Madl'n Walzer, op.257

Liszt, Franz

Les Preludes: symphonic poem, S97

Mahler, Gustav

Kindertotenlieder

Nicolai, Otto

Die lustigen Weiber von Windsor (The Merry Wives of Windsor)
» Overture

Pfitzner, Hans

Palestrina
» Prelude to Act 1

Schubert, Franz

Symphony no.8 in B minor, D759 'Unfinished'

Strauss II, Johann

Die Fledermaus
» Overture
Tausend und eine Nacht, op.346

Strauss II, Johann (with Josef Strauss)

Pizzicato Polka, op.234

Tchaikovsky, Pyotr Ilyich

The Nutcracker: Suite, op.71a

Wagner, Richard

Der fliegende Hollander (The Flying Dutchman)
» Overture
Die Meistersinger von Nurnberg
» Dance of the apprentices
» Prelude to Act 1
» Prelude to Act 3
Die Walkure
» Ride of the Valkyries
Lohengrin
» Prelude to Act 3
Parsifal
» Transformation music (Act 1)
Tannhauser
» Bacchanale
» Entrance of the Guests (Act 2)

Weber, Carl Maria von

Invitation to the Dance (Aufforderung zum Tanze), J260

Wolf, Hugo

Italienische Serenade (Italian Serenade) in G major

Artists

Lucretia West (mezzo-soprano)
Erna Berger (soprano)
Torsten Ralf (tenor)
Der Kittelische Chor
Berliner Philharmoniker

Conductor

Hans Knappertsbusch

Works

Beethoven, Ludwig van

Coriolan Overture, op.62
Symphony no.3 in E flat major, op.55 'Eroica'
Symphony no.5 in C minor, op.67
Symphony no.8 in F major, op.93
Symphony no.9 in D minor, op.125 'Choral' (excerpt)

Brahms, Johannes

Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90

Bruckner, Anton

Symphony no.4 in in E flat major 'Romantic'
Symphony no.8 in C minor
Symphony no.9 in D minor

Handel, George Frideric

Concerti grossi (12), op.6
» no.5 in D major, HWV323

Haydn, Franz Joseph

Symphony no.88 in G major, Hob.1:88
Symphony no.94 in G major, Hob.I:94 'The Surprise'

Komzak, Karl II

Bad'ner Madl'n Walzer, op.257

Liszt, Franz

Les Preludes: symphonic poem, S97

Mahler, Gustav

Kindertotenlieder

Nicolai, Otto

Die lustigen Weiber von Windsor (The Merry Wives of Windsor)
» Overture

Pfitzner, Hans

Palestrina
» Prelude to Act 1

Schubert, Franz

Symphony no.8 in B minor, D759 'Unfinished'

Strauss II, Johann

Die Fledermaus
» Overture
Tausend und eine Nacht, op.346

Strauss II, Johann (with Josef Strauss)

Pizzicato Polka, op.234

Tchaikovsky, Pyotr Ilyich

The Nutcracker: Suite, op.71a

Wagner, Richard

Der fliegende Hollander (The Flying Dutchman)
» Overture
Die Meistersinger von Nurnberg
» Dance of the apprentices
» Prelude to Act 1
» Prelude to Act 3
Die Walkure
» Ride of the Valkyries
Lohengrin
» Prelude to Act 3
Parsifal
» Transformation music (Act 1)
Tannhauser
» Bacchanale
» Entrance of the Guests (Act 2)

Weber, Carl Maria von

Invitation to the Dance (Aufforderung zum Tanze), J260

Wolf, Hugo

Italienische Serenade (Italian Serenade) in G major

Artists

Lucretia West (mezzo-soprano)
Erna Berger (soprano)
Torsten Ralf (tenor)
Der Kittelische Chor
Berliner Philharmoniker

Conductor

Hans Knappertsbusch

About

One of five box-sets exploring Hans Knappertsbusch’s high-risk strategy in which he relies upon the ‘magic of the moment’ to reveal previously undiscovered musical insights.

His interpretations of composers’ works lead to pleasing new discoveries, even within well-known scores.

Knappertsbusch disliked rehearsals intensely, believing that they were an inhibiting influence. He firmly believed in the inspiration of the moment being central to every performance, taking on Wagner’s idea of spontaneity and tempo modification.

His courageous artistry is clearly demonstrated in each of the five sets in this collection.

Recordings: 1941-1957

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