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Zender - Schuberts Winterreise | Alpha ALPHA425

Zender - Schuberts Winterreise

Label: Alpha

Cat No: ALPHA425

Barcode: 3760014194252

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 21st September 2018

This product has now been deleted. Information is for reference only.

Contents

Artists

Julian Pregardien (tenor)
Deutsche Radio Philharmonie

Conductor

Robert Reimer

Works

Zender, Hans

Schuberts Winterreise

Artists

Julian Pregardien (tenor)
Deutsche Radio Philharmonie

Conductor

Robert Reimer

About

The tenor Julian Prégardien joins Alpha for several recording projects that will showcase every facet of his talent, notably lieder and oratorio. His first album on the label is devoted to one of the greatest masterpieces in the history of music, Winterreise, but in a version with orchestra composed by Hans Zender in 1993. He scored the work for orchestral forces very different from the ensembles used in the nineteenth century (including, for example, a soprano saxophone, an accordion, a harmonica, a wind machine, a guitar and a very large percussion section).

Hans Zender describes his work as a ‘creative transformation’: ‘My own reading of Winterreise does not seek a new expressive interpretation, but systematically takes advantage of the freedoms that performers normally allow themselves in an intuitive way: slowing down or accelerating the tempo, transposition into different keys, emphasising and nuancing colours.’

Following a staged production of this version of the work, Christian Merlin wrote in Le Figaro in 2018: ‘A spellbinding Winterreise... The tenor Julian Prégardien, at once an exceptional singer and a committed actor, gives an incendiary performance combining vocal expressiveness, loving attention to the words and theatrical presence with sensitivity and intelligence in equal measure.’

Reviews

Zender transfers Schubert’s piano part to a small orchestra of classical instruments, with a few additions that can send the music spiralling briefly into another sonic world – accordion, saxophone, xylophone, a wind machine.  The material is basically all Schubert’s, but as the narrator continues down the road to madness, the familiar music blurs in and out of focus, stretches, slithers – or careers into an expressionist rant... It’s very well sung by Prégardien, who balances control and vulnerability persuasively....Does Schubert’s song cycle need all this? Of course not, but that’s no reason not to do it.  Erica Jeal
The Guardian 20 September 2018

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