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Mozart - Complete Solo Piano Works | Haenssler Profil PH18026

Mozart - Complete Solo Piano Works

£38.17

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Label: Haenssler Profil

Cat No: PH18026

Barcode: 0881488180268

Format: CD

Number of Discs: 8

Genre: Instrumental

Release Date: 29th June 2018

Contents

Works

Mozart, Wolfgang Amadeus

Adagio in C major, K356/617a
Allegro and Menuetto in B flat major, K498a
Allegro in B flat major, K3
Allegro in B flat major, K400
Andantino in E flat major, K236/588b
Capriccio in C major, K395
Fantasia and Fugue in C major, K394
Fantasia in C minor, K396
Fantasia in C minor, K475
Fantasia in D minor, K397
Fugue in G minor, K401
Funeral March in C minor, K453a
German Dances (6), K509
Menuets (8), K315a
Menuett, K94
Minuet in D major, K355
Minuet in F major, K2
Minuet in F major, K4
Minuet in F major, K5
Minuet in G major, K1e
Piano Sonatas nos 1-18 (complete)
Rondo in A minor, K511
Rondo in D major, K485
Rondo in F major, K494
Suite in C major, K399
Variations (6) in F major on 'Salve tu, Domine' by Paisiello, K398
Variations (6) in G major on 'Mio caro Adone', K180
Variations (7) in D major on 'Willem van Nassau', K25
Variations (8) in A major on 'Come un agnello' from 'Fra i due litiganti', K460
Variations (8) in G major on a Dutch song 'Laat ons juichen' (C E Graaf), K24
Variations (8) on 'Ein Weib ist das herrlichste Ding', K613
Variations (8) on the March 'Dieu d'amour' from Gretry's 'Les Mariages samnites', K352
Variations (9) in C major on N Dezede's 'Lison d'amour', K264
Variations (10) in G major on 'Unser dummer Pobel meint', K455
Variations (12) in B flat major on an Allegretto, K500
Variations (12) in C major on 'Ah, vous dirai-je, Maman', K265
Variations (12) in C major on a minuet by J C Fischer, K179
Variations (12) in E flat major on 'Je suis Lindor' from Pierre Beaumarchais' Le Barbier de Seville, K354
Variations (12) on 'La Belle Francoise', K353

Artists

Walter Gieseking (piano)

Works

Mozart, Wolfgang Amadeus

Adagio in C major, K356/617a
Allegro and Menuetto in B flat major, K498a
Allegro in B flat major, K3
Allegro in B flat major, K400
Andantino in E flat major, K236/588b
Capriccio in C major, K395
Fantasia and Fugue in C major, K394
Fantasia in C minor, K396
Fantasia in C minor, K475
Fantasia in D minor, K397
Fugue in G minor, K401
Funeral March in C minor, K453a
German Dances (6), K509
Menuets (8), K315a
Menuett, K94
Minuet in D major, K355
Minuet in F major, K2
Minuet in F major, K4
Minuet in F major, K5
Minuet in G major, K1e
Piano Sonatas nos 1-18 (complete)
Rondo in A minor, K511
Rondo in D major, K485
Rondo in F major, K494
Suite in C major, K399
Variations (6) in F major on 'Salve tu, Domine' by Paisiello, K398
Variations (6) in G major on 'Mio caro Adone', K180
Variations (7) in D major on 'Willem van Nassau', K25
Variations (8) in A major on 'Come un agnello' from 'Fra i due litiganti', K460
Variations (8) in G major on a Dutch song 'Laat ons juichen' (C E Graaf), K24
Variations (8) on 'Ein Weib ist das herrlichste Ding', K613
Variations (8) on the March 'Dieu d'amour' from Gretry's 'Les Mariages samnites', K352
Variations (9) in C major on N Dezede's 'Lison d'amour', K264
Variations (10) in G major on 'Unser dummer Pobel meint', K455
Variations (12) in B flat major on an Allegretto, K500
Variations (12) in C major on 'Ah, vous dirai-je, Maman', K265
Variations (12) in C major on a minuet by J C Fischer, K179
Variations (12) in E flat major on 'Je suis Lindor' from Pierre Beaumarchais' Le Barbier de Seville, K354
Variations (12) on 'La Belle Francoise', K353

Artists

Walter Gieseking (piano)

About

Born in Lyon, pianist Walter Gieseking studied the piano in Hanover and soon embarked on a world career as a soloist – first in Europe, then in the USA. He was an acknowledged master of the Fren ch repertoire – his recordings of piano works by Maurice Ravel and Claude Debussy are legendary. Gieseking’s style of playing was formulated by not only his accuracy and gift of observation, but also his exposure to various European cultures, and awareness of widely differing musical forms, which was reflected in a very wide repertoire extending beyond the classics to composers then less well known, such as Hindemith, Schoenberg, Busoni and Szymanowski. His piano technique revealed a hitherto unknown lightness. Gieseking translated feelings effortlessly into physical movement, resulting in a unique emotional immediacy of sound. The combination of precision and such unbridled devotion again proved its worth in Walter Gieseking’s recording of Mozart’s piano works, music which demands the highest technical ability alongside an essential lightness in its acoustic. The present complete recording illustrates why Walter Gieseking must necessarily be considered one of the most important pianists of the twentieth century.

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