Agustín Barrios Mangoré (1885-1944) was one of the greatest guitar virtuosi of his time and something of a pioneer in making recordings, which he began as early as 1910. His compositions offer a lexicon of technical and expressive devices for the guitar, from both the South American and European traditions. This penultimate volume in the series offers the scintillating Estudio no.6, which demonstrates some of the composer’s finest artistic characteristics such as poignant treble melodies and a mastery of harmonic progression. Other works include examples of the Paraguayan polka, the Zamba, Creole airs, the Serenata and many other pieces attesting to Barrios’s inexhaustible individuality and variety.