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Orpheus Anglorum: Lute Music by John Johnson & Anthony Holborne | Brilliant Classics 95551

Orpheus Anglorum: Lute Music by John Johnson & Anthony Holborne

£9.05

In stock - available for despatch within 1 working day

Label: Brilliant Classics

Cat No: 95551

Barcode: 5028421955513

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 16th March 2018

Contents

Artists

Yavor Genov (lute)

Artists

Yavor Genov (lute)

About

John Johnson and Antony Holborne share much in common, in their music and probably career, but this disc, in setting their work side by side, reveals their individual style and approach to the instrument. It is assumed that they both were born in the 1540s, without authoritative record, but their work in the royal court of the 1560s is attested. Johnson made his career as an accomplished performer, while Holborne’s energies were focused on writing for the instrument.

In the case of Johnson, the pavans, galliards and grounds recorded by Yavor Genov incorporate an amalgam of native and foreign (especially Italian) elements. His works show the English taste for cross-relations, surprising harmonic and tonal relationships and, above all, variation. However, like Holborne, he developed the form of the pavan during the course of his career, endowing it with increasing richness of ornamentation and expression, to be enjoyed in full in the melancholy undertow of the Passingmeasures Pavan. Holborne’s lute music is still more painstakingly elaborate, designed perhaps less for public show than private reflection, to give as much pleasure to the musician as to his courtly audience.

With two albums on Brilliant, of music by Kapsberger (BC94409) and Zamboni (BC94767), the young Bulgarian lutenist has introduced himself to international audiences and proved to be a thoroughly sympathetic interpreter of this idiom which trades on subtle intimacies of phrase, decoration and inflection. ‘Top‐level execution,’ remarked the Italian Folk Music Bulletin of the Zamboni album, ‘which both conveys a flavour of the time, and enables us to discover the music of a lesser‐known 18th-century composer: another great strength of Yavor Genov.’

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