Un jardin a l’italianne (In an Italian Garden) | Harmonia Mundi - Les Arts Florissants HAF8905283

Un jardin a l’italianne (In an Italian Garden)

£12.69

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Label: Harmonia Mundi - Les Arts Florissants

Cat No: HAF8905283

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 8th September 2017

Contents

Works

Banchieri, Adriano

Gia che ridotti siamo

Cimarosa, Domenico

L'Impresario in Augustie
» Ve che matta, maledetta!

Handel, George Frideric

Il trionfo del Tempo e del Disinganno, HWV46a
» Lascia la spina
Orlando, HWV31
» Ah! Stigie larve!

Haydn, Franz Joseph

La canterina, Hob.XXVIII:2
» Donne belle! Che mai far deggio?
» Lo sposar l'empio tiranno, Che dici?
» Scellerata! mancatrice! traditrice!
Orlando Paladino
» Son confuso e stupefatto

Sarro, Domenico

L'impresario dell Canarie
» Amore prepara
» Ma vuol ch'io parta
» Nibbio mi chiamo
» Recitar! Aspetto un impresario forastiero

Stradella, Alessandro

Amanti, ola! (L'accademia d'Amore)
» Amanti, ola, ola
» Chi rese delirante
» Dotto Maestro e more
» Hor non fia chi paventi
» Ritornello
» Si guardi dai dardi d'amor
» Sinfonia
» Unito il Disinganno a la Ragione
» d'Amore a l'invito
Benche ascritto non sia d'amor nell'Accademia

Vecchi, Orazio

Fate Silentio

Vivaldi, Antonio

Il Tigrane, RV740
» Care pupille
Orlando furioso (1714), RV819
» Ah sleale, ah spergiura
Ottone in villa, RV729
» Gelosia, tu gia rendi l'alma mia (Act 1)

Wert, Giaches de

Queste non son piu lagrime

Artists

Lucia Martin-Carton (soprano)
Lea Desandre (mezzo)
Carlo Vistoli (countertenor)
Nicholas Scott (tenor)
Renato Dolcini (baritone)
John-Taylor Ward (bass)
Les Arts Florissants

Conductors

William Christie
Paul Agnew

Works

Banchieri, Adriano

Gia che ridotti siamo

Cimarosa, Domenico

L'Impresario in Augustie
» Ve che matta, maledetta!

Handel, George Frideric

Il trionfo del Tempo e del Disinganno, HWV46a
» Lascia la spina
Orlando, HWV31
» Ah! Stigie larve!

Haydn, Franz Joseph

La canterina, Hob.XXVIII:2
» Donne belle! Che mai far deggio?
» Lo sposar l'empio tiranno, Che dici?
» Scellerata! mancatrice! traditrice!
Orlando Paladino
» Son confuso e stupefatto

Sarro, Domenico

L'impresario dell Canarie
» Amore prepara
» Ma vuol ch'io parta
» Nibbio mi chiamo
» Recitar! Aspetto un impresario forastiero

Stradella, Alessandro

Amanti, ola! (L'accademia d'Amore)
» Amanti, ola, ola
» Chi rese delirante
» Dotto Maestro e more
» Hor non fia chi paventi
» Ritornello
» Si guardi dai dardi d'amor
» Sinfonia
» Unito il Disinganno a la Ragione
» d'Amore a l'invito
Benche ascritto non sia d'amor nell'Accademia

Vecchi, Orazio

Fate Silentio

Vivaldi, Antonio

Il Tigrane, RV740
» Care pupille
Orlando furioso (1714), RV819
» Ah sleale, ah spergiura
Ottone in villa, RV729
» Gelosia, tu gia rendi l'alma mia (Act 1)

Wert, Giaches de

Queste non son piu lagrime

Artists

Lucia Martin-Carton (soprano)
Lea Desandre (mezzo)
Carlo Vistoli (countertenor)
Nicholas Scott (tenor)
Renato Dolcini (baritone)
John-Taylor Ward (bass)
Les Arts Florissants

Conductors

William Christie
Paul Agnew

About

Un jardin à l' italienne / In an Italian Garden
Airs, cantatas & madrigals (Le Jardin des Voix #2)
Les Arts Florissants, directed by William Christie & Paul Agnew

This concert was recorded live at the Melbourne Recital Centre in Australia within the framework of Le Jardi des Voix: the Academy launched by Les Arts Florissants in 2002 as a showcase for young talent. William Christie and Paul Agnew, the co-directors of the Academy, are well known as fine teachers and indefatigable talent-spotters. Here they present six promising young singers, hitherto unknown to the general public, who were auditioned and recruited from almost 200 candidates.

"Love, hatred, jealousy, disenchantment and wrath are expressed by turns in 'Orlando furioso', probably the most influential text of that period. De Wert’s madrigal ‘Queste non son più lagrime’ borrows lines from Ariosto’s masterpiece, while Handel’s Orlando and Vivaldi’s Orlando furioso, excerpts from which are presented here, both take inspiration from it. If the first part of our recording describes the expressive powers of early Baroque, the second part is a light-hearted exploration of later works, with musicians themselves as the subject."
William Christie and Paul Agnew.

Luciá Martín-Carton (soprano)
Léa Desandre (mezzo)
Carlo Vistoli (countertenor)
Nicholas Scott (tenor)
Renato Dolcini (baritone)
John-Taylor Ward (bass)

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