Saint-Saens - Music for Cello & Orchestra
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Australian Eloquence
Cat No: ELQ4822033
Number of Discs: 1
Release Date: 11th November 2016
WorksAllegro appassionato in B minor, op.43
Cello Concerto no.1 in A minor, op.33
Cello Concerto no.2 in D minor, op.119
Suite for cello and orchestra, op.16
ArtistsChristine Walevska (cello)
Orchestre National de líOpera de Monte-Carlo
Nearly three decades went by before Saint-SaŽns composed his Cello Concerto No.2. Although it has never enjoyed the popularity of the earlier work, none other than Faurť selected it as a Conservatoire test piece. Modern critics have argued that it is even finer, and that its themes are more noble. The Op.16 Suite was originally written for cello and piano and was later revised for cello and orchestra, while the Allegro appassionato in B minor is one of the most popular encore pieces for cello
When these recordings by Christine Walevska and Eliahu Inbal were first issued on Philips in 1974 they represented the first complete set of recordings of Saint-SaŽnsís complete music for cello and orchestra to be released.
ĎThe playing of Walevska is good throughout, full of passion & flair where called for and rapt tenderness in other placesí - H.R. Audio.net
ĎEvery cellist plays at least the two concertos, but there are surprisingly few truly excellent recordings. Christine Walevska not only plays wonderfully, but she gives us all of the composerís major works for cello and orchestra, and the performances have that French crispness and polish that so many more famous soloists lack. Sheís also very well recorded, and the Monte Carlo Orchestra has this musical idiom in its collective bones. It really is rewarding to hear these performances again.í - ClassicsToday.com
Error on this page? Let us know here
Need more information on this product? Click here