The composer’s heritage of Taneyev is large in volume and diversified in genres. He composed Oresteia, an operatic trilogy after Aeschylus; numerous cantatas for orchestra, choir, and soloists, among which are the famous St John of Damascus and Reading the Psalms; four symphonies; instrumental concertos; 22 opuses for chamber ensemble; over 60 songs for voice and piano; choral compositions; pieces for piano; arrangements of traditional songs, and piano transcriptions of works of other authors.

Instrumental chamber music is arguably the most important and meaningful part of Taneyev’s heritage, a peak of Russian classical music. None of his contemporaries felt such acute interest for chamber instrumentalism, resulting in interpretations so diversified. In the nearly forty years of his composing career, Taneyev wrote 22 instrumental ensembles for different sets of instruments. In this genre, he was unrivalled in Russia.