Brahms - Symphonies Nos 3 & 4
save £1.76 (20%)
special offer ending 27/02/2019
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: LSO Live
Cat No: LSO0737
Number of Discs: 1
Release Date: 25th August 2014
ArtistsLondon Symphony Orchestra
Valery Gergiev and the London Symphony Orchestra bring to a close their celebrated Brahms cycle with the release of Brahms' third and fourth Symphonies.
Brahms is often associated with the idea of abstract music, free of literary models or autobiography, but with the Third Symphony the composer wrote in many ways his most personal symphony.
Composed at a mountain retreat in 1884, about a year after completing the third, Brahms’ architectural musical skill is nowhere more evident than in his Fourth and final symphony, employing Baroque contrapuntal techniques and chromatic labyrinths and described by Hans von Bülow as having the feeling of ‘being given a beating by two incredibly intelligent people’'
"Brahms is another composer that needs a fine balancing act between restraint and passion, and the Symphony no.4 is the most perfect example of this duality in his orchestral music. If performed as it was by the Gergiev and the LSO, it sounded strangely reminiscent of Wagner or Bruckner, but with many fewer of the former’s longueurs or the obsessive 'logic' of the latter. It certainly put paid to Britten’s insistence that Brahms’ music was 'dull', 'stolid, 'pretentious'. There was not, as you might be forgiven for expecting, a touch of Tchaikovsky or even a Russian accent." - Bachtrack.com
Error on this page? Let us know here
Need more information on this product? Click here