Ming Tsao - Pathology of Syntax | Mode MODE268

Ming Tsao - Pathology of Syntax

£12.83

Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch

Label: Mode

Cat No: MODE268

Format: CD

Number of Discs: 1

Release Date: 28th July 2014

Contents

Artists

Anthony Burr (clarinet)
Charles Curtis (cello)
Arditti Quartet
Ensemble Ascolta
Ensemble SurPlus
Ensemble Recherche

Conductors

Jonathan Stockhammer
James Avery

Works

Tsao, Ming

(Un)cover
Canon
Not Reconciled
One-Way Street
Pathology of Syntax
The Book of Virtual Transcriptions

Artists

Anthony Burr (clarinet)
Charles Curtis (cello)
Arditti Quartet
Ensemble Ascolta
Ensemble SurPlus
Ensemble Recherche

Conductors

Jonathan Stockhammer
James Avery

About

Ming Tsao is a Chinese-American composer active in Europe. His works have been performed at the Donaueschingen Festival, Wien Modern, Wittener Tage, Maerz Musik and Darmstadt. Tsao’s composition teachers include Chaya Czernowin, Brian Ferneyhough and Mario Davidovsky. Tsao is also Professor of Composition at Göteborg University, Sweden. He holds composition degrees from the University of California, San Diego and Berklee College of Music. This is the first monographic CD of Tsao’s music.

'Pathology of Syntax' attempts to simulate a late Beethoven quartet. The Beethoven fragments dissolve into the physicality of the string quartet medium where the energy of bowing, plucking, scraping and brushing physical materials such as hair, wood and metal achieves an independence from the transcribed material it seeks to represent.

'One-Way Street' is a meditative, contemplative work that gradually disassembles what we assume to be beautiful: natural harmonics, drones and ecstatic rhythms.

In 'Not Reconciled', the sound of fingernails brushing against strings, the rattling of snares on a snare drum or the clicking of clarinet keys settle into a sound world tentatively held together by the incongruous instruments that create it.

'(Un)cover' is a meditation on the opening of Beethoven’s last piano sonata, opus 111 (first movement).

'The Book of Virtual Transcriptions' consists of 49 aural signs ranging from abstract to concrete images of musical material from the Adagio movement of Mozart's oboe quartet (KV370). These signs and their relations pose as stimuli that force the brain to complete a virtual transcription of the Mozart movement in which one constructs a way to listen to the Mozart that engages the musical unconscious.

'Canon' probes the limits of a musical canon through references to Bach's Musical Offering.

Contents:
- Pathology of Syntax
Arditti Quartet

- (Un)cover
Ensemble Ascolta / Jonathan Stockhammer

- The Book of Virtual Transcriptions
- Not Reconciled

Ensemble SurPlus / James Avery

- One-Way Street
Ensemble Recherche

- Canon
Anthony Burr (clarinet), Charles Curtis (cello)

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