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Kodaly - Piano Works | Australian Eloquence ELQ4807099

Kodaly - Piano Works

Label: Australian Eloquence

Cat No: ELQ4807099

Barcode: 0028948070992

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 31st March 2014

This product has now been deleted. Information is for reference only.

Contents

Works

Kodaly, Zoltan

Children's Dances (12)
» no.1 Allegretto
» no.2 Allegretto cantabile
» no.3 Vivace
» no.4 Moderato cantabile
» no.5 Allegro moderato, poco rubato
» no.7 Vivace, quasi marcia
» no.8 Friss
» no.9 Allegro marcato
» no.10 Allegro leggiero
» no.11 Vivace
» no.12 Allegro comodo
Dances of Marosszek (version for piano)
Hary Janos, op.15 (excerpts transcribed by Andor Foldes)
» Intermezzo
» Song
» Viennese clock
Pieces for piano (7), op.11
» no.1 Lento
» no.2 Chanson populaire Szekely
» no.3 Il pleut dans mon coeur
» no.5 Tranquillo
» no.6 Chanson populaire Szekely

Artists

Andor Foldes (piano)

Works

Kodaly, Zoltan

Children's Dances (12)
» no.1 Allegretto
» no.2 Allegretto cantabile
» no.3 Vivace
» no.4 Moderato cantabile
» no.5 Allegro moderato, poco rubato
» no.7 Vivace, quasi marcia
» no.8 Friss
» no.9 Allegro marcato
» no.10 Allegro leggiero
» no.11 Vivace
» no.12 Allegro comodo
Dances of Marosszek (version for piano)
Hary Janos, op.15 (excerpts transcribed by Andor Foldes)
» Intermezzo
» Song
» Viennese clock
Pieces for piano (7), op.11
» no.1 Lento
» no.2 Chanson populaire Szekely
» no.3 Il pleut dans mon coeur
» no.5 Tranquillo
» no.6 Chanson populaire Szekely

Artists

Andor Foldes (piano)

About

Andor Foldes recorded a selection of Kodály’s piano works for American Decca (the catalogue now owned by Deutsche Grammophon) in January 1957. A close compatriot of both Bartók and Kodály, Foldes was one of Hungary’s pre-eminent pianists whose discography for Deutsche Grammophon is extensive.

Included on this CD are Foldes’s own transcriptions of music from Háry János, a selection of Children’s Dances and the Dances of Marosszék, first written for piano though much more familiar today in their orchestral guise.

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