Alfredo Casella - Complete Music for Cello and Piano
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Brilliant Classics
Cat No: 94823
Number of Discs: 1
Release Date: 31st March 2014
WorksCello Sonata in C major, op.45
Cello Sonata in C minor, op.8
ArtistsAndrea Favalessa (cello)
Maria Semeraro (piano)
The music of Alfredo Casella is experiencing a true revival: labels like Chandos and Naxos issue his large scale orchestral works to great critical and public acclaim, and this new recording presents his wonderful works for cello and piano.
Casella was, if it isn’t a contradiction in terms, a kind of neoclassical Romantic, of sufficient pianistic skill that he was admitted to the Paris Conservatoire at the age of 13 and thus perhaps escaped from the pressure to plough the furrow of operatic verismo already so well tilled by his countrymen. Instead he made his mark as a composer of abstract, instrumental music such as these two cello sonatas.
The First Sonata, like his other youthful compositions, reveals various stylistic influences: there are hints of Debussy, Mahler and Strauss, as well as traces of what Casella had learnt from Fauré. Even in these early works, however, the composer’s own personality comes across clearly in the search for what was new and hitherto unexplored ground.
The Second Sonata reveals a change in compositional approach. In fact, it bears witness to his interest in a style that he defined as ‘baroque in its monumentality’. With its four movements it is more extensive, with dynamics based on deep contrasts between passages that are passionate and vigorous, and others in which the atmosphere is quietly intimate.
The same rhythmic energy returns in the Tarantella, composed in 1929 along with the Notturno for violin and piano, transcribed by Luigi Silva in 1931, and ultimately reworked by Casella for cello and orchestra in 1934.
The cello sonatas receive a passionate and convincing performance by two young Italians, Andrea Favalessa and Maria Semeraro, who regularly play together in a fruitful artistic partnership that has won them international recognition andnumerous awards.
Booklet includes notes on the music by Maria Semeraro.
Error on this page? Let us know here
Need more information on this product? Click here