Hartmann - Symphonies Nos 1-8 | Challenge Classics CC72583

Hartmann - Symphonies Nos 1-8

£35.63

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Label: Challenge Classics

Cat No: CC72583

Format: SACD

Number of Discs: 3

Genre: Orchestral

Release Date: 10th February 2014

Contents

Artists

Netherlands Radio Philharmonic Orchestra
Netherlands Radio Chamber Philharmonic Orchestra

Conductors

Christoph Poppen
Osmo Vanska
James Gaffigan
Ingo Metzmacher
Michael Schønwandt
Markus Stenz

Works

Hartmann, Karl Amadeus

Symphony no.1
Symphony no.2 'Adagio'
Symphony no.3
Symphony no.4
Symphony no.5 'Sinfonie Concertante'
Symphony no.6
Symphony no.7
Symphony no.8

Artists

Netherlands Radio Philharmonic Orchestra
Netherlands Radio Chamber Philharmonic Orchestra

Conductors

Christoph Poppen
Osmo Vanska
James Gaffigan
Ingo Metzmacher
Michael Schønwandt
Markus Stenz

About

Karl Amadeus Hartmann (1905-1963) is one of the most significant but least known symphonic composers of the 20th century. This set of three hybrid SACDs, issued to mark the 50th anniversary of the German composer’s death, features his eight symphonies played by the Netherlands Radio Philharmonic and Chamber Philharmonic Orchestras under the batons of several major conductors, including Christoph Poppen, Osmo Vanska, James Gaffigan and Markus Stenz.

One of the most characteristic features of Hartmann’s work is the way in which he forges contrasting stylistic elements and techniques from various periods of music history into a seamless unit. Moreover, one melody is found in all his symphonies, concealed to varying degrees. This melody is based on the Jewish song “Elijahu hanavi” about the prophet Elijah, whom the Jews anxiously await to bring them redemption. This yearning quality lies at the heart of the composer’s music.

Two types of movement, adagio and scherzo, form the unmistakable axis of Hartmann’s symphonic works, and the result is that the musical discourse continually takes place between expansion and energy, monumental stasis and a dynamic primal force toppling everything in its path.

Hartmann’s symphonic legacy most certainly deserves its rightful place in the canon, especially in English-speaking countries where it has been often overlooked.

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