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Rimsky-Korsakov - Cantatas | Brilliant Classics 94495

Rimsky-Korsakov - Cantatas

Label: Brilliant Classics

Cat No: 94495

Barcode: 5028421944951

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 4th March 2013

This product has now been deleted. Information is for reference only.

Penguin Rosette Winner

Contents

Artists

Dmitri Kortchak (tenor)
Nikolai Didenko (bass)
Svetlana Sizova (mezzo-soprano)
Tatiana Fedotova (soprano)
Elena Mitrakova (soprano)
Dmitri Kortchak (tenor)
Chorus of the Moscow Academy of Choral Art
Moscow Symphony Orchestra

Conductor

Vladimir Ziva

Works

Rimsky-Korsakov, Nikolai

From Homer: Prelude-cantata, op.60
Poem about Aleksey, the Man of God, op.20
Song of Oleg the Wise, op.58
Switezianka (The Mermaid of Lake Switez), op.44

Artists

Dmitri Kortchak (tenor)
Nikolai Didenko (bass)
Svetlana Sizova (mezzo-soprano)
Tatiana Fedotova (soprano)
Elena Mitrakova (soprano)
Dmitri Kortchak (tenor)
Chorus of the Moscow Academy of Choral Art
Moscow Symphony Orchestra

Conductor

Vladimir Ziva

About

As was tradition in his family, Nicolai Rimsky‐Korsakov trained to be a naval cadet. He continued to compose throughout his years in service and was appointed Professor of Composition and Orchestration at the St Petersburg Conservatory, despite having an extremely limited knowledge of music theory. He is now remembered as one of the most influential Russian Nationalist composers of all time, and was an integral member of ‘The Five’. This disc brings together the great composer’s cantatas.

The Poem about Aleksey, the Man of God Op.20 originally appeared as a chorale in his opera 'The Maid of Pskov', and Rimsky‐Korsakov later created a separate work from it. The Song of Oleg the Wise Op.58 is written in a marital style, as befits the subject matter of the ruler and warrior Oleg; Switezianka Op.44, a cantata for two soloists, is of a similar style.

Also on the disc is From Homer Op.60, a tantalising glimpse of what might have been if Rimsky‐Korsakov had continued to write his opera based on Homer’s Odyssey. The work is made up of the intended orchestral introduction and opening chorus of the opera. It depicts the storm that washes Odysseus onto the shores of Phaecia, and shows the composer’s talent for writing for female voices, including a trio (soprano, mezzo‐soprano, contralto) and a female chorus.

The cantatas feature the Chorus of the Moscow Academy of Choral Art and the Moscow Symphony Orchestra, as well as a host of accomplished soloists.

Recorded in 2001.

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