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Josef Suk

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A Fairy Tale (Suite from Raduz & Mahulena), op.16 (5)
A Summer's Tale, op.29 (7)
A Winter's Tale, op.9 (3)
About Friendship (1)
About Mother, op.28 (3)
Album Leaf in F major (1)
Andante in B lat major (1)
Asrael Symphony in C minor, op.27 (11)
Bagatelle in G major (1)
Balada for String Quartet (1)
Ballade and Serenade, op.3 (6)
Ballade in D minor (2)
Barkarole in D minor (1)
Capriccietto in G major (1)
Elegy, op.23 (piano trio) (13)
Ella-Polka (1)
Epilogue, op.37 (2)
Episodes (4) (2)
Fantasticke Scherzo, op.25 (2)
Fantasy-Polonaise, op.5 (2)
Fantasy in G minor, op.24 (5)
Humoresque (2)
Impressions of Summer (2)
Legend of the Dead Victors, op.35b (1)
Longing (1)
Lullabies (3)
Meditation on an old Czech hymn 'St Wenceslas', op.35a (14)
Menuet in G major (1)
Moods, op.10 (5)
Piano Pieces (6), op.7 (17)
Piano Pieces (8), op.12 (2)
Piano Quartet in A minor, op.1 (7)
Piano Quintet in G minor, op.8 (3)
Piano Trio in C minor, op.2 (7)
Pieces (4) for violin and piano, op.17 (32)
Pohadka (Fairy Tale), op.16 (5)
Polonaise in C minor (1)
Prague, op.26 (2)
Raduz a Mahulena (excerpt) (1)
Ripening, op.34 (2)
Scherzo Fantastique, op.25 (2)
Serenade for Strings in E flat major, op.6 (19)
Songs without Words (3) (1)
Sousedska (1)
Spring, op.22a (5)
String Quartet, op.31 (3)
String Quartet in B flat major, op.11 (5)
String Quartet in D minor (1)
String Quartet movement in B flat major (1)
Suite, op.21 (4)
Suite (1)
Summer Impressions, op.22b (arr. for harp) (1)
Summer Impressions, op.22b (1)
Symphony in E major, op.14 (2)
Tempo di Minuetto for String Quartet (1)
The Ripening, op.34 (4)
Things Lived and Dreamed (10), op.30 (5)
Things Lived and Dreamed (1)
Towards a New Life, op.35c (2)
Under the Apple Tree (Suite from the Music to Julius Zeyer's Dramatic Legend), op.20 (1)
Village Serenade (2)

Josef Suk (4 January 1874 – 29 May 1935) was a Czech composer and violinist.

Suk's musical style started off with a very heavy emphasis on what he experienced during his time with Dvořák, though this Czech-style influence eventually slowly became more German and Austrian in style.

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