Probably written for the virtuoso Kapelle at Cöthen (BWV1042) or the concerts of the Leipzig Collegium Musicum which the composer often directed himself from the violin, Bach’s three well-known violin concertos are joined here by the splendid Concerto for three violins BWV1064, reconstructed from the surviving version for three harpsichords. A dazzling firework display under the bows of the matchless violinists of the Freiburger Barockorchester.

Freiburger Barockorchester celebrated its 25th anniversary in 2012. A glance at the ensemble’s schedule shows a diverse repertoire played at leading concert halls and opera houses, ranging from the Baroque to the contemporary and from Freiburg to the Far East.

The Freiburgers’ artistic credo, however, remains unchanged and involves assigning demanding solo concertos to players from the orchestra’s own ranks. Cultivated, yet at the same time exciting, ensemble playing has thus become the orchestra’s international trademark.

The FBO collaborates with leading artists such as René Jacobs, Andreas Staier and Thomas Quasthoff and enjoys a close cooperation with harmonia mundi France. The artistic success of this musical partnership has been demonstrated in numerous recordings which have won awards including Edison, Gramophone, ECHO Klassik and a Classical Brit Award.

Under the artistic directorship of its two Konzertmeisters Gottfried von der Goltz and Petra Müllejans, and under the baton of selected conductors, the FBO presents around 100 performances per year in a variety of formations from chamber to opera orchestra.