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Harnoncourt and Beethoven | Warner 2564688705

Harnoncourt and Beethoven

New Item

Label: Warner

Cat No: 2564688705

Barcode: 0825646887057

Format: CD

Number of Discs: 2

Release Date: 17th August 2009

This product has now been deleted. Information is for reference only.

Contents

Artists

Chamber Orchestra Of Europe

Conductor

Nicholas Harnoncourt

Artists

Chamber Orchestra Of Europe

Conductor

Nicholas Harnoncourt

About

CD 1   
1. Symphony No.5 in C minor Op.67 : I Allegro con brio
Chamber Orchestra of Europe
2. Symphony No.8 in F major Op.93
Chamber Orchestra of Europe
6. Symphony No.7 in A major Op.92 : II Allegretto
Chamber Orchestra of Europe
7. Symphony No.6 in F major Op.68, 'Pastoral' : III Allegro
8. Symphony No.6 in F major Op.68, 'Pastoral' : IV Allegro
9. Symphony No.6 in F major Op.68, 'Pastoral' : V Allegretto
Chamber Orchestra of Europe
10. Symphony No.3 in E flat major Op.55, 'Eroica' : I Allegro con brio
Chamber Orchestra of Europe

CD 2   
1. Overture to Egmont Op.84
Chamber Orchestra of Europe
2. Romance No.2 in F major for violin and orchestra Op.50
Gidon Kremer - violin, Chamber Orchestra of Europe
3. Piano Concerto No.4 in G major Op.58 : III Rondo – Vivace
Pierre-Laurent Aimard - piano, Chamber Orchestra of Europe
4. Coriolan Overture Op.62
Chamber Orchestra of Europe
5. Fidelio : Act 1 "O welche Lust" [Chorus]
6. Fidelio : Act 1 "Nun sprecht, wie ging's?" [Leonore, Rocco, Marzelline, Jaquino, Pizarro]
7. Fidelio : Act 1 "Leb wohl, du warmes Sonnenlicht" [Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco]
Arnold Schonberg Chor, Chamber Orchestra of Europe
8. Rondo in Bb major, WoO6 for piano and orchestra
Pierre Laurent Aimard, Chamber Orchestra of Europe
9. Mass in D major Op.123, 'Missa Solemnis' : III Credo
Arnold Schonberg Chor, Chamber Orchestra of Europe



Nikolaus Harnoncourt at Eighty


Once dubbed the high priest of “authenticity”, dread word, Nikolaus Harnoncourt, cellist, early music specialist, author and conductor has long been both plausible and consistent in his denial of the accusation. “I would never use the word authenticity for my work”, he says. “It can only be authentic ‘me’, not authentic Bach, Biber, Handel or Telemann. Old instruments produce the best sound for this repertory but they do not necessarily produce the sound of the period.”

Nowadays, even the “early music” label can no longer be applied with undue emphasis to Harnoncourt, for he has become, over the past twenty-five years or so, as identifiable an interpreter of Classical, Romantic and twentieth-century music as he has remained in the Baroque sphere on which his reputation was established. Indeed, since his set of Beethoven symphonies for Teldec was named Record of the Year in the 1992 Gramophone Awards, Harnoncourt has performed and recorded all the Schubert symphonies (Teldec), as well as symphonies by Haydn, Mozart, Schumann, Brahms, Dvorˇák and Bruckner, and a wide range of vocal and choral music from the seventeenth to the twentieth centuries.

“For me the emotional responses in music are the most important. Authenticity and performing practice are always in danger of becoming dogmatic. Besides musical value, an opera must have a message as a wok of art which is not bound just to its own time. The drama must be so timeless in its depiction of human psychology that you can forget it is three hundred years old, or whatever. Monteverdi is such a composer, Handel another.” Happy birthday, maestro, and many happy returns of the day!

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