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C.P.E. Bach - Lieder | Brilliant Classics 95462

C.P.E. Bach - Lieder

£9.05

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Label: Brilliant Classics

Cat No: 95462

Barcode: 5028421954622

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 19th May 2017

Contents

Works

Bach, Carl Philipp Emanuel

Geistliche Gesange, Wq197
» Der Tag des Weltgerichts, Wq197/13
» Passionslied, Wq197/2
» Uber die Finsternis kurz vor dem Tode Jesu, Wq197/29
» Weihnachtslied, Wq197/11
Geistliche Gesange, Wq198
» Andenken an den Tod, Wq198/12
» Gott, der Ernahrer der Menschen, Wq198/17
» Jesus in Gethsemane, Wq198/29, H752/29
Gellert Songs: Geistliche Oden und Lieder Wq194
» Bitten, Wq194/9
» Busslied, Wq194/46
» Morgengesang, Wq194/15
» Prufung am Abend, Wq194/7
» Trost der Erlosung, Wq194/30
» Wider den Ubermut, Wq194/49

Artists

Marivi Blasco (soprano)
Yago Mahugo (fortepiano)
Impetus Madrid Baroque Ensemble

Works

Bach, Carl Philipp Emanuel

Geistliche Gesange, Wq197
» Der Tag des Weltgerichts, Wq197/13
» Passionslied, Wq197/2
» Uber die Finsternis kurz vor dem Tode Jesu, Wq197/29
» Weihnachtslied, Wq197/11
Geistliche Gesange, Wq198
» Andenken an den Tod, Wq198/12
» Gott, der Ernahrer der Menschen, Wq198/17
» Jesus in Gethsemane, Wq198/29, H752/29
Gellert Songs: Geistliche Oden und Lieder Wq194
» Bitten, Wq194/9
» Busslied, Wq194/46
» Morgengesang, Wq194/15
» Prufung am Abend, Wq194/7
» Trost der Erlosung, Wq194/30
» Wider den Ubermut, Wq194/49

Artists

Marivi Blasco (soprano)
Yago Mahugo (fortepiano)
Impetus Madrid Baroque Ensemble

About

The flowering of the German Lied tradition may be most closely associated with Schubert, but in fact the genre has much deeper roots than that. Already in the 18th century, composers such as C.P.E. Bach were forming a musical language that would set the stage for its extensive development 100 years later. At this point, they made a distinction between the 'Lied', 'Ode' and 'Hymne'; Bach strongly preferred the Lied (or song), which was composed in verses, and required an accompaniment, unlike the ode. Indeed, Bach's keyboard accompaniments were so wonderfully florid that they could be performed without the singer – as 'Handstücke', as he marked in the score. This new recording includes versions of each Lied for fortepiano solo alone alongside the standard version with the soprano, giving the listener a unique chance to experience Bach's Lieder in two different but equally authentic ways.

Soprano Mariví Blasco has performed at prestigious venues across Spain, in roles as varied as Mozart (Despina in Così fan tutte at the Teatro Arenal) and Poulenc (in Dialogues des Carmélites at the Teatro Real). This is her first collaboration with renowned keyboardist Yago Mahúgo, already a prominent recording artist with Brilliant Classics, whose CDs have previously garnered high praise. A specialist in historical performance practice, Mahúgo performs on a fortepiano by Keith Hill, modelled after Anton Walter (1796).

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