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Arnold Bax / Stanley Bate - Cello Concertos | Lyrita SRCD351

Arnold Bax / Stanley Bate - Cello Concertos

£12.69

In stock - available for despatch within 1 working day

Label: Lyrita

Cat No: SRCD351

Barcode: 5020926035127

Format: CD

Number of Discs: 1

Genre: Orchestral

Release Date: 2nd October 2015

Contents

Artists

Lionel Handy (cello)
Royal Scottish National Orchestra

Conductor

Martin Yates

Works

Bate, Stanley

Cello Concerto

Bax, Arnold

Cello Concerto

Artists

Lionel Handy (cello)
Royal Scottish National Orchestra

Conductor

Martin Yates

About

The first of his pieces for solo instrument and orchestra which Arnold Bax officially designated a ‘concerto’ was the Cello Concerto of 1932. In the Cello Concerto, the instrument is centre stage virtually from beginning to end, and the composer takes great pains to ensure that it is clearly audible at all times. To accomplish this, he uses modest forces: three flutes, two oboes, cor anglais, two clarinets, two bassoons, contrabassoon, four horns, two trumpets, timpani, harp, celesta and strings.

By the composer’s usual standards, this orchestration is notably restrained, with an absence of trombones and tuba and only two trumpets, the second of which does not feature at all in the first movement. When supporting the soloist, textures often take on the transparency of chamber music and are varied with such invention and flair (including much creative use of divided strings) that we rarely encounter the same combination of instruments accompanying the cellist for two phrases in succession.

Before he wrote his Cello Concerto in 1953, Stanley Bate had produced a couple of instrumental works for cello and piano, consisting of a Recitative, op.52a (1945), and a Fantasy, op.56 (1947). The fluency of his writing in the concerto suggests that the composer had a natural empathy with the solo instrument’s lyrical and declamatory nature. It was premiered in late 1954 by the Eastman Rochester Orchestra at the Eastman School of Music, New York.

Compact and sparingly scored, Bate’s concerto maintains the spotlight firmly on the soloist throughout. A sizeable orchestra is rarely exerted at full stretch and then only fleetingly. It is made up of two flutes, two oboes, clarinet, two bassoons, four horns, three trumpets, three trombones, tuba, timpani, cymbals and strings.

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