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CPE Bach - 300 Years / Mathot & Koopman - 135 years | Challenge Classics CC72668

CPE Bach - 300 Years / Mathot & Koopman - 135 years

£12.69

In stock - available for despatch within 1 working day

Label: Challenge Classics

Cat No: CC72668

Barcode: 0608917266825

Format: CD

Number of Discs: 2

Genre: Instrumental

Release Date: 24th November 2014

Contents

About

This specially priced 2CD set presents a combination of Ton Koopman’s recording of CPE Bach’s 6 Organ Sonatas and a disc performed by his wife Tini Mathot of harpsichord works by the same composer.

It replaces the single CD version of the Organ Sonatas (CC72260) previously made available in June 2014. The album is being released to mark 300 years since CPE Bach’s birth, as well as the birthdays of the two soloists. Ton Koopman celebrated reaching the age of 70 on 2nd October 2014, and Tini Mathot turned 65 in 2014.

Although CPE Bach left a substantial body of work after his death, relatively few of these works appear to have been written specifically for the organ. The instrument on which Ton Koopman made the recording of the first CD in this set once belonged to Anna Amalia, having been installed in her Berlin mansion in 1755, the same year that marked the appearance of four of these works.

Ton Koopman is one of the world’s foremost early music keyboard specialists and directors. Earlier in 2014 he was awarded the Royal Academy of Music’s highly-prestigious Bach Prize for his "remarkable work promoting Bach's music in the last thirty or so years".

The majority of the harpsichord works performed by Tini Mathot on the second CD are from the series of keyboard works 'for connoisseurs and amateurs' published by CPE Bach himself. Included are the three free fantasies (1784, 1786, 1787), three rondos (1778, 1779, 1780), a set of Folia variations (1778) and one sonata (1763). With the exception of the sonata, all the works featured here were composed in Hamburg during the final decade of the composer’s life.

Tini Mathot was born in Amsterdam and studied piano and harpsichord at the city’s Sweelinck Conservatory. She works regularly in collaboration with her husband and former teacher Ton Koopman with whom she performs in concert halls around the world. Their repertoire for various combinations of keyboards ranges from well-known to rediscovered, previously unknown works.

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