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Mozart - Desperate Heroines | Naive V5366

Mozart - Desperate Heroines

Label: Naive

Cat No: V5366

Barcode: 0822186053669

Format: CD

Number of Discs: 1

Genre: Opera

Release Date: 29th September 2014

This product has now been deleted. Information is for reference only.

Contents

Works

Mozart, Wolfgang Amadeus

Don Giovanni, K527
» Non mi dir, bell'idol mio
Idomeneo, Re di Creta, K366
» Se il padre perdei, Idomeneo
Il re pastore, K208
» L'amero, saro costante
La finta giardiniera, K196
» Crudeli, oh dio!
» Geme la tortorella
Le nozze di Figaro (The Marriage of Figaro), K492
» Deh vieni non tardar
» L'ho perduta, me meschina
Lucio Silla, K135
» Fra i pensier piu funesti
Mitridate, re di Ponto, K87
» Pallid'ombre

Artists

Sandrine Piau (soprano)
Mozarteum Orchestra Salzburg

Conductor

Ivor Bolton

Works

Mozart, Wolfgang Amadeus

Don Giovanni, K527
» Non mi dir, bell'idol mio
Idomeneo, Re di Creta, K366
» Se il padre perdei, Idomeneo
Il re pastore, K208
» L'amero, saro costante
La finta giardiniera, K196
» Crudeli, oh dio!
» Geme la tortorella
Le nozze di Figaro (The Marriage of Figaro), K492
» Deh vieni non tardar
» L'ho perduta, me meschina
Lucio Silla, K135
» Fra i pensier piu funesti
Mitridate, re di Ponto, K87
» Pallid'ombre

Artists

Sandrine Piau (soprano)
Mozarteum Orchestra Salzburg

Conductor

Ivor Bolton

About

"When Naïve offered me the chance to record a Mozart recital in 2001, it was something I hadn’t even dared to dream of, because he seemed to me to be the composer most emblematic of every kind of perfection. I made the disc with a feeling almost of transgression and a tremendous fear of not being worthy of him. Now, thirteen years later, I come back to Mozart with the experience of the roles I’ve tackled on stage in the meantime.

Donna Anna is probably the character I most wanted to include, not only because I’ve sung her in the theatre but also because the part is traditionally given to heavier voices than mine. Like any so-called ‘Baroque’ singer, I’m suspicious of traditions, and I like the idea that behind her cries of suffering she has still retained a redemptive gentleness, which one can sense in ‘Non mi dir’.

The arias I’ve chosen are often tormented. I suppose this is a disc of maturity, which both reflects my trajectory over these past few years and catches me at a specific moment in my life, like a snapshot." - Sandrine Piau

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